CFP: Society of the Query Reader

The INC Reader Series, edited by Geert Lovink, give an overview of the present day research, critique, and artistic practices in a thematic research field at once broad and limited. The set up is multidisciplinary, with academic (humanities, social sciences, software studies etc.), artistic, and activist contributors. In parallel with the second Society of the Query conference which will take place in Amsterdam on November 7-8 2013, the Institute of Network Cultures is devoted to produce a reader that brings together actual theory about the foundation and history of search, the economics of search engines, search and education, alternatives, and much more. This publication is edited by René König and Miriam Rasch, and produced by the Institute of Network Cultures in Amsterdam, to be launched early 2014. It will be open access and available in print and various digital formats.Weiterlesen

Talk: New Wearable Augmented Reality Visualization Technologies

Upcoming talk: Francesco Lapenta is talking at the Republica13 on Mediated Life after Virtualization. A Critical Look at the Scenarios Forecast by New Wearable Augmented Reality Visualization Technologies. Good to see this topic emerging also from within the humanities. From the abtract:

„If, as Thomas and Cook state, ‘visual representations and digital visualization techniques take advantage of the human eye’s broad bandwidth pathway into the mind to allow users to see, explore, and understand large amounts of information at once’ what are the consequences of a technology that does not pretend anymore to “simulate” reality or its visualization but now “naturally” creates the way we see the world and experience it? What will follow the inevitable technological peak and demise of old communication technologies such as the mobile and the screen? If the mobile embodied the newly acquired freedom from the constrained spaces of earlier mediated communications. And the screen, the frame, the partition that for a long time both connected and divided reality from its representation. The “SixthSense” and “Project Glass” both represent the early steps in the final technological, cognitive and cultural evolution that will finally embrace media transparency and invisibility (Project Glass), and welcome media anthropomorphization (SixthSense) in the illusion of a new “unmediated” and “augmented” life. Mobiles and the screen will not disappear, at first, but new “seamless” and “immersive” technological evolutions will acquire social, cultural and market dominance while cannibalizing previous technological milestones very much like television did with photography, radio and cinema, and the computer did with them all.“

Francesco Lapenta is Associate Professor at the Dept. of Communication, Business and Information Technologies (CBIT) at Roskilde University, Denmark. Also check out his blog beingdigital.org.

Report from Unlike Us #3

Unlike Us is a loose network of artists, designers, scholars, activists and programmers who work on ‘alternatives in social media’. The goal of Unlike Us, which has been initiated by the Institute for Network Cultures (INC) is the promotion of alternative and decentralized social media software as well as the analysis of the cultural, political and economic structures that go along with the major social media platforms. The third Unlike Us Conference, that took place in Amsterdam on 22–23 march 2013, has taken this task a step further by shifting the focus from the critique of social networking platforms towards a more general analysis of social media. While alternative software solutions (such as Lorea.org) and counter culture (such as the Facebook Demetricator or the Anti Social App) were still issues discussed in the panels on Political Economy and decentralization/distribution, the talks as well as the discussion at the coordination meeting were also drawing upon the larger contexts around social media: if media is becoming „social“ because of what users make of them, does the analysis and also the organizational framework has to move beyond Facebook and focus on more general questions such as distraction (Petra Löffler), networking (Tristan Thielmann) or engineering (Bernard Stiegler)? In this context the discussions brought up questions like how authentic the narrative of the swarm of small fishes collectively eating the big shark actually is, because the nodes of the swarm are lacking connectivity.

Another central debate were mobile use-cases around social media ranging from the commodificiation of urban spaces and a completely new generation of data mining in the context of location based services (Leighton Evans) to young people’s mobile discourses on prepaid social media and mobile internet (Marion Walton). The question of place does not only apply for our digital footprint like communication profiles, travel logs, access control systems or payment methods but with the rise of the internet of things and ubiquitous computing, we engage with technology in ways that set up new hybrid forms of agency. Hence, the content we produce for social networks can no longer be seen as a conscious process of status updating, but is a task that is increasingly processed by the bots and tools of our everyday life („I bought a product on gift.com“, „I created a playlist on spotify“ etc.). This increasingly applies to our movements as well: to our „social graph“ we need to add a „place graph“ that is based on tracking and tracing of our spatial relations („I ran 4 miles with nike – cheer me up!“, „I checked in @theshoppingmall“). It will be interesting to observe how social media transforms the use and the appearance of spaces and places, when territoriality becomes a kind of authorship within our interactions.

Overall Unlike us has done a great job by assembling a variety of artistic, activistic and scholarly approaches for contemporary critique on social media. However, after three conferences, what is the future of Unlike Us? As the resources of the Institute for Network Cultures are limited, how can the efforts go beyond the discussions of the network? Which other parties are willing to involve themselves not only by showing interest but also by committing manpower and resources? Could a research consortium be a promising way to sustain academic approaches? Is the topic broad enough to kickstart a festival? Would pursuing funding strategies disconnect scholarly, technological, artistic and political parts of the network from each other (please join the discussion on the mailinglist)? Those who have not participated in the conference can check out the in-depth coverage on the Unlike Us Blog, the vimeo channel as well as in the brand new Unlike Us Reader the covers many of the conference’s talks. (image credits: INC, conference flyer)

Disclaimer: this post was written for and first published on postmedialab.org

Politische Partizipation jenseits der Konventionen

Interessanter Sammelband über „Politische Partizipation jenseits der Konventionen“ von Dorothée e Nève und Tina Olteanu herausgegeben, der unterschiedliche Formen politischer Partizipation in den Blick nimmt – von klassischen Formen, wie dem Leserbrief über Massenverfassungsbeschwerden bis zu Flashmobs. Das ist thematisch nicht unbedingt vollkommen neu, aber interessant ist dabei, dass es vor allem um die Frage geht, wie sich bestehende Konvention verändern und politisieren. Aus dem Ankündigungstext: „In diesem Buch werden die Potenziale unkonventioneller Formen der Partizipation theoretisch erörtert und empirisch untersucht. Die Analysen nehmen eine typologische Einordnung dieser unkonventionellen Partizipationsformen vor und untersuchen ihre Funktionen sowie Inklusionspotenziale in politischen Prozessen der Demokratie. Diskutiert werden außerdem die Interdependenz zwischen verschiedenen politischen und sozialen Partizipationsformen sowie die Kooptierung und Kommerzialisierung von Partizipationsinstrumenten.“ (image credits: screenshot von der Verlagsseite)

Zkm: Maschinensehen – Feldforschung in den Räumen bildgebender Technologien

Ausstellung Maschinensehen im ZKM: Das »Raumschiff Erde« (Buckminster Fuller) ist heute ausgestattet mit einer Unzahl von Sensoren – ob in Form von Satelliten im All oder Sonarmessgeräten in den Ozeanen. Die wenigsten davon sind klassische »Kameraaugen«, wie man sie aus der analogen Fotografie kennt. Dennoch produzieren sie Bilder: Die durch diese Sensoren gewonnenen Massen an Messdaten werden visualisiert, um von Menschen überhaupt interpretiert werden zu können. Derartige Vermessungen und Visualisierungen nehmen eine folgenreiche Rolle in den Kontroll- und Entscheidungsprozessen der Wissenschaft, der Politik, des Militärs, der Wirtschaft, der Medizin und der Polizei ein. Die neuen Praktiken der zwei- und dreidimensionalen Kartographierung produzieren Karten in Form von Pixeln und Voxeln, die frei transformierbar und weltweit abrufbar sind. Sie verändern dabei nicht allein den Umfang der Erkenntnis und Überwachung der Welt, sondern eröffnen einen neuen, weltumspannenden Handlungsraum.

Das Projekt MASCHINENSEHEN basiert auf der Feldforschung eines interdisziplinären Seminars an der Staatlichen Hochschule für Gestaltung Karlsruhe (HfG) unter der Leitung von Prof. Armin Linke und dem Kurator Anselm Franke. Die Ausstellung dokumentiert durch Videoessays und Fotografien einerseits die Praxis der Bildproduktion: ihre Gerätschaften und Technologien, die Labore, Lager und Büros sowie die Orte, an denen die neuen Verfahren zum Einsatz kommen. Zum anderen zeigt sie eine Auswahl aktueller Untersuchungs-
gegenstände: von Selbstversuchen in Gehirnscannern, der Rekonstruktion von Tatorten durch 3D-Fotografie, der Neuvermessung der Ozeanböden beim Wettrennen um die Rechte an Rohstoffressourcen, der Steuerung moderner Anlagen in der Milchwirtschaft, Messflügen in die Atmosphäre, bis hin zur Auswertung von Satellitenbildern.

Noch bis zum 19.5.2013 im ZKM | Medienmuseum

Unlike Us #3

This weekend 22.–23.3.2013 I will attend the third Unlike Us at TrouwAmsterdam and Studio HvA / MediaLAB Amsterdam statt. The aim of Unlike Us is to establish a research network of artists, designers, scholars, activists and programmers who work on ‘alternatives in social media’. For those in Berlin: the Heinrich Böll Stiftung is hosting another interesting conference on activism and forms of political participation at the same time 🙁 From the announcement: „Is the word ‘social’ hollowed out, or does it still have some meaning? How to understand the thunderous growth of mobile uses in social media? Is there really something like a Facebook riot and how do we start one? Theorists, programmers and artists alike react to the monopolies that control social media – by designing decentralized networks, creating art that’s criticizing and surprising at the same time or by trying to understand the big networks from within“. You should definetly also check the new Unlike Us Reader.

Konferenz: Energize, Polarize, Mobilize!

Die Böll Stiftung richtet von 22.3 bis 24.3 gemeinsam mit Digitale Gesellschaft e.V., Reporter ohne Grenzen, Mädchenmannschaft „Energize, Polarize, Mobilize! Human Rights, Participation, Activism, Internet“ aus. Also 2013 ist jedenfalls das Jahr, in dem die Institutionen die neuen Formen politischer Partizipation und sozialer Interaktion auch programmatisch integriert haben – aus der Ankündigung: „The spread of digital technologies has given new opportunities to activists around the world. At the same time they can also be the cause of new threats to activists and people using digital media for political communication or mobilization. Successful campaigning and political action requires knowledge of digital technologies and social media, as well as skills in communication strategies and creative forms to express a message. The event will attempt to answer the question: „What are the tools and trends, the opportunities and challenges for activism in 2013?“ both on a theoretical and practical level and also both online and offline.“ Detailiiertes Programm via boell.de. Ich bin in Amsterdam auf der Unlike Us und leider nicht dabei…

Digitaler Salon im Alexander von Humboldt Institut für Internet und Gesellschaft

Unter dem Titel “Digitaler Salon – Fragen zur vernetzten Gegenwart” laden das Alexander von Humboldt Institut für Internet und Gesellschaft (HIIG) und die DRadio Wissen Netzreporter immer am letzten Mittwoch im Monat zum Digitalen Salon: Diesmal diskutieren Marlis Schaum von DRadio Wissen mit Saskia Sell von der Freien Universität Berlin, Jörg Leichtfried, Mitglied des Europäischen Parlaments sowie Hauke Gierow, Referent für Informationsfreiheit im Internet bei Reporter ohne Grenzen über „Das Internet – ein offener Raum für freie Meinungsäußerung? Welchen Einfluss nehmen Regierungen und Unternehmen? Und sind wir uns der Folgen bewusst?„. Ort: Alexander von Humboldt Institut für Internet und Gesellschaft, Unter den Linden Ecke Bebelplatz, 19:00 Uhr.

About

Hi, I’m Moritz Queisner and I live and work in Berlin. I’m a researcher with an academic background in Media Studies and Science and Technology Studies with a focus on media theory, image theory and political theory. My current research includes projects about mixed reality, 3D simulation, social media, remote warfare, locative media and peer-to-peer economy.

If you’re interested in working with me, please have a look at my portfolio. I am available for conferences, workshops or other collaborations. Feel free to get in touch, I don’t bite.

CV

Short version: Moritz Queisner is a re­se­ar­cher with an aca­de­mic back­ground in Media Studies. He is a research asso­ci­ate at the Cluster of Excellence Image Knowledge Gestaltung. An Interdisciplinary Laboratory of Hum­boldt Uni­ver­sity Ber­lin. His work is can be found at www.moritzqueisner.de

* * *

Long version: Moritz Queisner is a re­se­ar­cher with an aca­de­mic back­ground in Media Studies and Science and Technology Studies with a fo­cus on me­dia theo­ry, image theo­ry and po­liti­cal theo­ry. His re­se­ar­ch covers aug­men­ted rea­li­ty, com­pu­ter si­mu­la­ti­on, so­ci­al me­dia, re­mo­te war­fa­re and lo­ca­ti­ve me­dia. His portfolio is available online at www.moritzqueisner.de.

Moritz is a re­se­ar­ch asso­ci­ate and PhD candidate at the Cluster of Excellence Image Knowledge Gestaltung. An Interdisciplinary Laboratory of Hum­boldt Uni­ver­sity Ber­lin, where he is part of the research team „Image & Action“ (Bild & Handlung). Previously he worked at the Col­legium for the Advanced Study of Pic­tur­e­act and Embod­i­ment and at the Post Media Lab at the Center for Digital Cultures of Leuphana University Lüneburg. He has been mem­ber of the re­se­ar­ch train­ing group Vis­ib­il­ity and Visual Pro­duc­tion: Hybrid Forms of Iconic Know­ledge at the University of Potsdam and the University of ap­p­lied sci­en­ces Potsdam. Moritz also holds an master’s dagree in European Media Stud­ies and a bachelor’s de­gree in Media and Communication Studies.

Moritz is a regular speaker at conferences (list with public talks and lectures) and regulary teaches university courses. He is the co-founder of the Drone Research Network, an interdisciplinary forum for the exchange of ideas and projects relating to the study of drones, which was established in 2015. His latest publications include topics such as „Mediated Vision in Remote Warfare„, „Image Guidance“ or „Medical Screen Operations“ (full list of publications).